Emotion And The Structure Of Narrative Film

Emotion and the Structure of Narrative Film PDF
Author: Ed S. Tan
Publisher: Routledge
ISBN: 113669496X
Size: 60.56 MB
Format: PDF, ePub, Mobi
Category : Social Science
Languages : en
Pages : 312
View: 393

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Emotion And The Structure Of Narrative Film

by Ed S. Tan, Emotion And The Structure Of Narrative Film Books available in PDF, EPUB, Mobi Format. Download Emotion And The Structure Of Narrative Film books, Introduced one hundred years ago, film has since become part of our lives. For the past century, however, the experience offered by fiction films has remained a mystery. Questions such as why adult viewers cry and shiver, and why they care at all about fictional characters -- while aware that they contemplate an entirely staged scene -- are still unresolved. In addition, it is unknown why spectators find some film experiences entertaining that have a clearly aversive nature outside the cinema. These and other questions make the psychological status of emotions allegedly induced by the fiction film highly problematic. Earlier attempts to answer these questions have been limited to a few genre studies. In recent years, film criticism and the theory of film structure have made use of psychoanalytic concepts which have proven insufficient in accounting for the diversity of film induced affect. In contrast, academic psychology -- during the century of its existence -- has made extensive study of emotional responses provoked by viewing fiction film, but has taken the role of film as a natural stimulus completely for granted. The present volume bridges the gap between critical theories of film on the one hand, and recent psychological theory and research of human emotion on the other, in an attempt to explain the emotions provoked by fiction film. This book integrates insights on the narrative structure of fiction film including its themes, plot structure, and characters with recent knowledge on the cognitive processing of natural events, and narrative and person information. It develops a theoretical framework for systematically describing emotion in the film viewer. The question whether or not film produces genuine emotion is answered by comparing affect in the viewer with emotion in the real world experienced by persons witnessing events that have personal significance to them. Current understanding of the psychology of emotions provides the basis for identifying critical features of the fiction film that trigger the general emotion system. Individual emotions are classified according to their position in the affect structure of a film -- a larger system of emotions produced by one particular film as a whole. Along the way, a series of problematic issues is dealt with, notably the reality of the emotional stimulus in film, the identification of the viewer with protagonists on screen, and the necessity of the viewer's cooperation in arriving at a genuine emotion. Finally, it is argued that film-produced emotions are genuine emotions in response to an artificial stimulus. Film can be regarded as a fine-tuned machine for a continuous stream of emotions that are entertaining after all. The work paves the way for understanding and, in principle, predicting emotions in the film viewer using existing psychological instruments of investigation. Dealing with the problems of film-induced affect and rendering them accessible to formal modeling and experimental method serves a wider interest of understanding aesthetic emotion -- the feelings that man-made products, and especially works of art, can evoke in the beholder.


The Routledge Handbook Of Emotions And Mass Media

The Routledge Handbook of Emotions and Mass Media PDF
Author: Katrin Doveling
Publisher: Routledge
ISBN: 1134017677
Size: 37.61 MB
Format: PDF, ePub, Mobi
Category : Psychology
Languages : en
Pages : 448
View: 576

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The Routledge Handbook Of Emotions And Mass Media

by Katrin Doveling, The Routledge Handbook Of Emotions And Mass Media Books available in PDF, EPUB, Mobi Format. Download The Routledge Handbook Of Emotions And Mass Media books, The impact of mass media on individuals and society is to a great extent based on human emotions. Emotions, in turn, are essential in understanding how media messages are processed as well as media’s impact on individual and social behavior and public social life. Adopting an interdisciplinary approach to the study of emotions within a mass media context, the Handbook of Emotions and Mass Media addresses areas such as evolutionary psychology, media entertainment, sociology, cultural studies, media psychology, political communication, persuasion, and new technology. Leading experts from across the globe explore cutting-edge research on issues including the evolutionary functions of mediated emotions, emotions and media entertainment , measurements of emotions within the context of mass media, media violence, fear-evoking media, politics and public emotions, features , forms and functions of emotions beyond the message, and provide the reader a glimpse into future generations of media technology. This compelling and authoritative Handbook is an essential reference tool for scholars and students of media, communication studies, media psychology, emotions, cultural studies, sociology, and other related disciplines.


Film Structure And The Emotion System

Film Structure and the Emotion System PDF
Author: Greg M. Smith
Publisher: Cambridge University Press
ISBN: 9781139438315
Size: 24.95 MB
Format: PDF, Kindle
Category : Performing Arts
Languages : en
Pages :
View: 7168

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Film Structure And The Emotion System

by Greg M. Smith, Film Structure And The Emotion System Books available in PDF, EPUB, Mobi Format. Download Film Structure And The Emotion System books, Films evoke broad moods and cue particular emotions that can be broadly shared as well as individually experienced. Although the experience of emotion is central to the viewing of movies, film studies have neglected to focus attention on the emotions, relying instead on vague psychoanalytic concepts of desire. Film Structure and the Emotion System synthesizes research on emotion in cognitive psychology and neurology in an effort to provide a more nuanced understanding of how film evokes emotion. Analysing a variety and range of films, including Casablanca and Stranger than Paradise, this book offers a grounded approach to the mechanisms through which films appeal to the human emotions, demonstrating the role of style and narration in this process.


Critical Approaches To The Films Of Robert Rodriguez

Critical Approaches to the Films of Robert Rodriguez PDF
Author: Frederick Luis Aldama
Publisher: University of Texas Press
ISBN: 0292763573
Size: 70.94 MB
Format: PDF, Mobi
Category : Performing Arts
Languages : en
Pages : 264
View: 830

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Critical Approaches To The Films Of Robert Rodriguez

by Frederick Luis Aldama, Critical Approaches To The Films Of Robert Rodriguez Books available in PDF, EPUB, Mobi Format. Download Critical Approaches To The Films Of Robert Rodriguez books, Frederick Aldama's The Cinema of Robert Rodriguez (2014) was the first full-scale study of one of the most prolific and significant Latino directors making films today. In this companion volume, Aldama enlists a corps of experts to analyze a majority of Rodriguez's feature films, from his first break-out success El Mariachi in 1992 to Machete in 2010. The essays explore the formal and thematic features present in his films from the perspectives of industry (context, convention, and distribution), the film blueprint (auditory and visual ingredients), and consumption (ideal and real audiences). The authors illuminate the manifold ways in which Rodriguez's films operate internally (plot, character, and event) and externally (audience perception, thought, and feeling). The volume is divided into three parts: "Matters of Mind and Media" includes essays that use psychoanalytic and cognitive psychology to shed light on how Rodriguez's films complicate Latino identity, as well as how they succeed in remaking audiences' preconceptions of the world. "Narrative Theory, Cognitive Science, and Sin City: A Case Study" offers tools and models of analysis for the study of Rodriguez's film re-creation of a comic book (on which Frank Miller was credited as codirector). "Aesthetic and Ontological Border Crossings and Borderlands" considers how Rodriguez's films innovatively critique fixed notions of Latino identity and experience, as well as open eyes to racial injustices. As a whole, the volume demonstrates how Rodriguez's career offers critical insights into the filmmaking industry, the creative process, and the consuming and reception of contemporary film.


The Psychology Of Music In Multimedia

The psychology of music in multimedia PDF
Author: Siu-Lan Tan
Publisher: OUP Oxford
ISBN: 0191503266
Size: 50.89 MB
Format: PDF, Kindle
Category : Psychology
Languages : en
Pages : 456
View: 5921

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The Psychology Of Music In Multimedia

by Siu-Lan Tan, The Psychology Of Music In Multimedia Books available in PDF, EPUB, Mobi Format. Download The Psychology Of Music In Multimedia books, For most of the history of film-making, music has played an integral role serving many functions - such as conveying emotion, heightening tension, and influencing interpretation and inferences about events and characters. More recently, with the enormous growth of the gaming industry and the Internet, a new role for music has emerged. However, all of these applications of music depend on complex mental processes which are being identified through research on human participants in multimedia contexts. The Psychology of Music in Multimedia is the first book dedicated to this fascinating topic. The Psychology of Music in Multimedia presents a wide range of scientific research on the psychological processes involved in the integration of sound and image when engaging with film, television, video, interactive games, and computer interfaces. Collectively, the rich chapters in this edited volume represent a comprehensive treatment of the existing research on the multimedia experience, with the aim of disseminating the current knowledge base and inspiring future scholarship. The focus on empirical research and the strong psychological framework make this book an exceptional and distinctive contribution to the field. The international collection of contributors represents eight countries and a broad range of disciplines including psychology, musicology, neuroscience, media studies, film, and communications. Each chapter includes a comprehensive review of the topic and, where appropriate, identifies models that can be empirically tested. Part One presents contrasting theoretical approaches from cognitive psychology, philosophy, semiotics, communication, musicology, and neuroscience. Part Two reviews research on the structural aspects of music and multimedia, while Part Three focuses on research examining the influence of music on perceived meaning in the multimedia experience. Part Four explores empirical findings in a variety of real-world applications of music in multimedia including entertainment and educational media for children, video and computer games, television and online advertising, and auditory displays of information. Finally, the closing chapter in Part Five identifies emerging themes and points to the value of broadening the scope of research to encompass multisensory, multidisciplinary, and cross-cultural perspectives to advance our understanding of the role of music in multimedia. This is a valuable book for those in the fields of music psychology and musicology, as well as film and media studies.


The Forms Of The Affects

The Forms of the Affects PDF
Author: Eugenie Brinkema
Publisher: Duke University Press
ISBN: 0822376776
Size: 68.10 MB
Format: PDF, ePub
Category : Performing Arts
Languages : en
Pages : 368
View: 4130

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The Forms Of The Affects

by Eugenie Brinkema, The Forms Of The Affects Books available in PDF, EPUB, Mobi Format. Download The Forms Of The Affects books, What is the relationship between a cinematic grid of color and that most visceral of negative affects, disgust? How might anxiety be a matter of an interrupted horizontal line, or grief a figure of blazing light? Offering a bold corrective to the emphasis on embodiment and experience in recent affect theory, Eugenie Brinkema develops a novel mode of criticism that locates the forms of particular affects within the specific details of cinematic and textual construction. Through close readings of works by Roland Barthes, Hollis Frampton, Sigmund Freud, Peter Greenaway, Michael Haneke, Alfred Hitchcock, Søren Kierkegaard, and David Lynch, Brinkema shows that deep attention to form, structure, and aesthetics enables a fundamental rethinking of the study of sensation. In the process, she delves into concepts as diverse as putrescence in French gastronomy, the role of the tear in philosophies of emotion, Nietzschean joy as a wild aesthetic of repetition, and the psychoanalytic theory of embarrassment. Above all, this provocative work is a call to harness the vitality of the affective turn for a renewed exploration of the possibilities of cinematic form.


Boys Don T Cry

Boys Don t Cry  PDF
Author: Milette Shamir
Publisher: Columbia University Press
ISBN: 0231506341
Size: 68.90 MB
Format: PDF, ePub
Category : Social Science
Languages : en
Pages : 320
View: 6293

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Boys Don T Cry

by Milette Shamir, Boys Don T Cry Books available in PDF, EPUB, Mobi Format. Download Boys Don T Cry books, We take for granted the idea that white, middle-class, straight masculinity connotes total control of emotions, emotional inexpressivity, and emotional isolation. That men repress their feelings as they seek their fortunes in the competitive worlds of business and politics seems to be a given. This collection of essays by prominent literary and cultural critics rethinks such commonly held views by addressing the history and politics of emotion in prevailing narratives about masculinity. How did the story of the emotionally stifled U.S. male come into being? What are its political stakes? Will the "release" of straight, white, middle-class masculine emotion remake existing forms of power or reinforce them? This collection forcefully challenges our most entrenched ideas about male emotion. Through readings of works by Thoreau, Lowell, and W. E. B. Du Bois, and of twentieth century authors such as Hemingway and Kerouac, this book questions the persistence of the emotionally alienated male in narratives of white middle-class masculinity and addresses the political and social implications of male emotional release.


Film Worlds

Film Worlds PDF
Author: Daniel Yacavone
Publisher: Columbia University Press
ISBN: 0231538359
Size: 43.65 MB
Format: PDF, Mobi
Category : Philosophy
Languages : en
Pages : 352
View: 5707

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Film Worlds

by Daniel Yacavone, Film Worlds Books available in PDF, EPUB, Mobi Format. Download Film Worlds books, Film Worlds unpacks the significance of the "worlds" that narrative films create, offering an innovative perspective on cinema as art. Drawing on aesthetics and the philosophy of art in both the continental and analytic traditions, as well as classical and contemporary film theory, it weaves together multiple strands of thought and analysis to provide new understandings of filmic representation, fictionality, expression, self-reflexivity, style, and the full range of cinema's affective and symbolic dimensions. Always more than "fictional worlds" and "storyworlds" on account of cinema's perceptual, cognitive, and affective nature, film worlds are theorized as immersive and transformative artistic realities. As such, they are capable of fostering novel ways of seeing, feeling, and understanding experience. Engaging with the writings of Jean Mitry, Pier Paolo Pasolini, Christian Metz, David Bordwell, Gilles Deleuze, and Hans-Georg Gadamer, among other thinkers, Film Worlds extends Nelson Goodman's analytic account of symbolic and artistic "worldmaking" to cinema, expands on French philosopher Mikel Dufrenne's phenomenology of aesthetic experience in relation to films and their worlds, and addresses the hermeneutic dimensions of cinematic art. It emphasizes what both celluloid and digital filmmaking and viewing share with the creation and experience of all art, while at the same time recognizing what is unique to the moving image in aesthetic terms. The resulting framework reconciles central aspects of realist and formalist/neo-formalist positions in film theory while also moving beyond them and seeks to open new avenues of exploration in film studies and the philosophy of film.


Cinematic Emotion In Horror Films And Thrillers

Cinematic Emotion in Horror Films and Thrillers PDF
Author: Julian Hanich
Publisher: Routledge
ISBN: 1136991581
Size: 73.40 MB
Format: PDF, ePub, Docs
Category : Social Science
Languages : en
Pages : 314
View: 3272

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Cinematic Emotion In Horror Films And Thrillers

by Julian Hanich, Cinematic Emotion In Horror Films And Thrillers Books available in PDF, EPUB, Mobi Format. Download Cinematic Emotion In Horror Films And Thrillers books, Hanich looks at fear at the movies – its aesthetics, its experience and its pleasures--in this thought-provoking study. Looking at over 150 different films including Seven, Rosemary's Baby, and Silence of the Lambs, Hanich attempts to answer the paradox of why we enjoy films that thrill us, that scare us, that threaten us, that shock us –affects that we otherwise desperately wish to avoid.


Filmosophy

Filmosophy PDF
Author: Daniel Frampton
Publisher: Columbia University Press
ISBN: 0231850107
Size: 72.30 MB
Format: PDF, Mobi
Category : Performing Arts
Languages : en
Pages : 256
View: 5863

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Filmosophy

by Daniel Frampton, Filmosophy Books available in PDF, EPUB, Mobi Format. Download Filmosophy books, Filmosophy is a provocative new manifesto for a radically philosophical way of understanding cinema. It coalesces twentieth-century ideas of film as thought (from Hugo Münsterberg to Gilles Deleuze) into a practical theory of "film-thinking," arguing that film style conveys poetic ideas through a constant dramatic "intent" about the characters, spaces, and events of film. Discussing contemporary filmmakers such as Béla Tarr and the Dardenne brothers, this timely contribution to the study of film and philosophy will provoke debate among audiences and filmmakers alike. FILMOSOPHY ® is a registered U.S. trademark owned by Valentin Stoilov (www.filmosophy.com) for educational services in the field of motion picture history theory and production. Mr. Stoilov is not the source or origin of this book and has not sponsored or endorsed it or its author.