Music Criticism In Vienna 1896 1897

Music Criticism in Vienna  1896 1897 PDF
Author: Sandra MacColl
Publisher: Oxford University Press on Demand
ISBN: 9780198165644
Size: 27.78 MB
Format: PDF, Mobi
Category : Music
Languages : en
Pages : 246
View: 7653

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Music Criticism In Vienna 1896 1897

by Sandra MacColl, Music Criticism In Vienna 1896 1897 Books available in PDF, EPUB, Mobi Format. Download Music Criticism In Vienna 1896 1897 books, Music Criticism in Vienna 1896-1897 records a culture in which music criticism had achieved the status of a minor art-form. The period covered - October 1896 to December 1897 - was an eventful time in Vienna. Bruckner died, then Brahms; Mahler arrived; premieres of works by Czech composers coincided with increasing tension in the Empire between Czechs and Germans; Puccini's La Boheme reached Vienna on its sensational progress around the world; and the great programme music debate continued. These events and issues were recorded and debated by some two dozen critics ranging from Eduard Hanslick, widely credited with (and blamed for) raising music criticism to an art, to Heinrich Schenker. The focus of Sandra McColl's book is unashamedly on the critics themselves, and her reconstruction of the climate of debate about whatever music or musicians came to their notice. She illuminates the intellectual climate in which the music was created, performed, and received, and provides a foundation for the study of music criticism in the post-Hanslick generation.


The Regulation And Reform Of Music Criticism In Nineteenth Century England

The Regulation and Reform of Music Criticism in Nineteenth Century England PDF
Author: Paul Watt
Publisher: Routledge
ISBN: 1351974009
Size: 54.44 MB
Format: PDF, ePub, Mobi
Category : Music
Languages : en
Pages : 132
View: 1638

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The Regulation And Reform Of Music Criticism In Nineteenth Century England

by Paul Watt, The Regulation And Reform Of Music Criticism In Nineteenth Century England Books available in PDF, EPUB, Mobi Format. Download The Regulation And Reform Of Music Criticism In Nineteenth Century England books, Music criticism in England underwent profound change from the 1880s to the 1920s. It gave rise to ‘New criticism’ that aimed to be rational, impartial and intellectually authoritative. It was a break from the criticism of old: the work of the opinionated journalist who wrote descriptive concert reviews with invective, cliché, bias and bombast. Critics such as Ernest Newman (1868–1959), John F. Runciman (1866–1916) and Michel D. Calvocoressi (1877–1944) fostered this new school and wrote extensively of their aspirations for musical criticism in their own times and for the future. This book charts the genesis of this new wave of musical criticism that sought to regulate and reform the profession of music critic. Alongside the establishment of principles, training manuals and schools for critics, hundreds of journal articles and dozens of books were written that encouraged new criticism, which also had a bearing on scholarly writing in biography, aesthetics and history. The Regulation and Reform of Music Criticism in Nineteenth-Century England considers the influence and advocacy of individual critics and the role that institutions, such as the Musical Association and the Musical Times, played in this period of change. The book also explores the impact that French and German writers had on their English counterparts, demonstrating the internationalization of critical thought of the period.


Music In Vienna 1700 1800 1900

Music in Vienna 1700  1800  1900 PDF
Author: David Wyn Jones
Publisher: Boydell & Brewer
ISBN: 1783271078
Size: 62.42 MB
Format: PDF, Docs
Category : Music
Languages : en
Pages : 277
View: 6708

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Music In Vienna 1700 1800 1900

by David Wyn Jones, Music In Vienna 1700 1800 1900 Books available in PDF, EPUB, Mobi Format. Download Music In Vienna 1700 1800 1900 books, The image of Vienna as a musical city is a familiar one. This book explores the history of music in Vienna, focussing on three different epochs, 1700, 1800 and 1900


Music Criticism And The Challenge Of History

Music  Criticism  and the Challenge of History PDF
Author: Kevin Karnes
Publisher: Oxford University Press
ISBN: 0190451343
Size: 77.17 MB
Format: PDF, ePub
Category : Music
Languages : en
Pages : 240
View: 1712

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Music Criticism And The Challenge Of History

by Kevin Karnes, Music Criticism And The Challenge Of History Books available in PDF, EPUB, Mobi Format. Download Music Criticism And The Challenge Of History books, More than a century after Guido Adler's appointment to the first chair in musicology at the University of Vienna, Music, Criticism, and the Challenge of History provides a first look at the discipline in this earliest period, and at the ideological dilemmas and methodological anxieties that characterized it upon its institutionalization. Author Kevin Karnes contends that some of the most vital questions surrounding musicology's disciplinary identities today-the relationship between musicology and criticism, the role of the subject in analysis and the narration of history, and the responsibilities of the scholar to the listening public-originate in these conflicted and largely forgotten beginnings. Karnes lays bare the nature of music study in the late nineteenth century through insightful readings of long-overlooked contributions by three of musicology's foremost pioneers-Adler, Eduard Hanslick, and Heinrich Schenker. Shaped as much by the skeptical pronouncements of the likes of Nietzsche and Wagner as it was by progressivist ideologies of scientific positivism, the new discipline comprised an array of oft-contested and intensely personal visions of music study, its value, and its future. Karnes introduces readers to a Hanslick who rejected the call of positivist scholarship and dedicated himself to penning an avowedly subjective history of Viennese musical life. He argues that Schenker's analytical experiments had roots in a Wagner-inspired search for a critical alternative to Adler's style-obsessed scholarship. And he illuminates Adler's determined response to Nietzsche's warnings about the vitality of artistic and cultural life in an increasingly scientific age. Through sophisticated and meticulous presentation, Music, Criticism, and the Challenge of History demonstrates that the new discipline of musicology was inextricably tied in with the cultural discourse of its time.


Seeing Mahler Music And The Language Of Antisemitism In Fin De Si Cle Vienna

Seeing Mahler  Music and the Language of Antisemitism in Fin de Si  cle Vienna PDF
Author: Dr K M Knittel
Publisher: Ashgate Publishing, Ltd.
ISBN: 1409494152
Size: 31.48 MB
Format: PDF
Category : Social Science
Languages : en
Pages : 218
View: 2433

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Seeing Mahler Music And The Language Of Antisemitism In Fin De Si Cle Vienna

by Dr K M Knittel, Seeing Mahler Music And The Language Of Antisemitism In Fin De Si Cle Vienna Books available in PDF, EPUB, Mobi Format. Download Seeing Mahler Music And The Language Of Antisemitism In Fin De Si Cle Vienna books, No-one doubts that Gustav Mahler's tenure at the Vienna Court Opera from 1897-1907 was made extremely unpleasant by the antisemitic press. The great biographer, Henry-Louis de La Grange, acknowledges that 'it must be said that antisemitism was a permanent feature of Viennese life'. Unfortunately, the focus on blatant references to Jewishness has obscured the extent to which 'ordinary' attitudes about Jewish difference were prevalent and pervasive, yet subtle and covert. The context has been lost wherein such coded references to Jewishness would have been immediately recognized and understood. By painstakingly reconstructing 'the language of antisemitism', Knittel recreates what Mahler's audiences expected, saw, and heard, given the biases and beliefs of turn-of-the-century Vienna. Using newspaper reviews, cartoons and memoirs, Knittel eschews focusing on hostile discussions and overt attacks in themselves, rather revealing how and to what extent authors call attention to Mahler's Jewishness with more subtle language. She specifically examines the reviews of Mahler's Viennese symphonic premieres for their resonance with that language as codified by Richard Wagner, though not invented by him. An entire chapter is also devoted to the Viennese premieres of Richard Strauss's tone poems, as a proof text against which the reviews of Mahler can also be read and understood. Accepting how deeply embedded this way of thinking was, not just for critics but for the general population, certainly does not imply that one can find antisemitism under every stone. What Knittel suggests, ultimately, is that much of early criticism was unease rather than 'objective' reactions to Mahler's music - a new perspective that allows for a re-evaluation of what makes his music unique, thought-provoking and valuable.


Lateness And Brahms

Lateness and Brahms PDF
Author: Margaret Notley
Publisher: Oxford University Press
ISBN: 9780195345681
Size: 20.89 MB
Format: PDF, Kindle
Category : Music
Languages : en
Pages : 254
View: 5625

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Lateness And Brahms

by Margaret Notley, Lateness And Brahms Books available in PDF, EPUB, Mobi Format. Download Lateness And Brahms books, Lateness and Brahms takes up the fascinating, yet understudied problem of how Brahms fits into the culture of turn-of-the-century Vienna. Brahms's conspicuous and puzzling absence in previous scholarly accounts of the time and place raises important questions, and as Margaret Notley demonstrates, the tendency to view him in neutralized, ahistorical terms has made his music seem far less interesting than it truly is. In pursuit of an historical Brahms, Notley focuses on the later chamber music, drawing on various documents and perspectives, but with particular emphasis on the relevance of Western Marxist critical traditions.


Absolute Music

Absolute Music PDF
Author: Mark Evan Bonds
Publisher: Oxford University Press
ISBN: 019938472X
Size: 51.16 MB
Format: PDF, Docs
Category : Music
Languages : en
Pages : 400
View: 5849

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Absolute Music

by Mark Evan Bonds, Absolute Music Books available in PDF, EPUB, Mobi Format. Download Absolute Music books, What is music, and why does it move us? From Pythagoras to the present, writers have struggled to isolate the essence of "pure" or "absolute" music in ways that also account for its profound effect. In Absolute Music: The History of an Idea, Mark Evan Bonds traces the history of these efforts across more than two millennia, paying special attention to the relationship between music's essence and its qualities of form, expression, beauty, autonomy, as well as its perceived capacity to disclose philosophical truths. The core of this book focuses on the period between 1850 and 1945. Although the idea of pure music is as old as antiquity, the term "absolute music" is itself relatively recent. It was Richard Wagner who coined the term, in 1846, and he used it as a pejorative in his efforts to expose the limitations of purely instrumental music. For Wagner, music that was "absolute" was isolated, detached from the world, sterile. His contemporary, the Viennese critic Eduard Hanslick, embraced this quality of isolation as a guarantor of purity. Only pure, absolute music, he argued, could realize the highest potential of the art. Bonds reveals how and why perceptions of absolute music changed so radically between the 1850s and 1920s. When it first appeared, "absolute music" was a new term applied to old music, but by the early decades of the twentieth century, it had become-paradoxically--an old term associated with the new music of modernists like Schoenberg and Stravinsky. Bonds argues that the key developments in this shift lay not in discourse about music but rather the visual arts. The growing prestige of abstraction and form in painting at the turn of the twentieth century-line and color, as opposed to object-helped move the idea of purely abstract, absolute music to the cutting edge of musical modernism. By carefully tracing the evolution of absolute music from Ancient Greece through the Middle Ages to the twentieth-century, Bonds not only provides the first comprehensive history of this pivotal concept but also provokes new thoughts on the essence of music and how essence has been used to explain music's effect. A long awaited book from one of the most respected senior scholars in the field, Absolute Music will be essential reading for anyone interested in the history, theory, and aesthetics of music.


Symphonic Aspirations

Symphonic Aspirations PDF
Author: Karen Painter
Publisher: Harvard University Press
ISBN: 9780674033597
Size: 11.30 MB
Format: PDF, Mobi
Category : History
Languages : en
Pages : 368
View: 3251

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Symphonic Aspirations

by Karen Painter, Symphonic Aspirations Books available in PDF, EPUB, Mobi Format. Download Symphonic Aspirations books, Painter examines the politicization of musical listening in Germany and Austria, showing how nationalism, anti-Semitism, liberalism, and socialism profoundly affected the experience of music. She draws on extensive writings on the symphony, particularly those of Mahler and Bruckner, to offer evidence that music can and did serve ideological ends.


Verdi And The Germans

Verdi and the Germans PDF
Author: Gundula Kreuzer
Publisher: Cambridge University Press
ISBN: 0521519195
Size: 47.63 MB
Format: PDF, Mobi
Category : Music
Languages : en
Pages : 362
View: 2241

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Verdi And The Germans

by Gundula Kreuzer, Verdi And The Germans Books available in PDF, EPUB, Mobi Format. Download Verdi And The Germans books, This series explores the conceptual frameworks that shape or have shaped the ways in which we understand music and its history, and aims to elaborate structures of explanation, interpretation, commentary and criticism which make music intelligible and which provide a basis for argument about judgements of value. The intellectual scope of the series is broad. Some investigations will treat, for example, historiographical topics, others will apply cross-disciplinary methods to the criticism of music, and there will also be studies which consider music in its relation to society, culture and politics. Overall, the series hopes to create a greater presence for music in the ongoing discourse among the human sciences. --Book Jacket.